Useless Sea-based producer and sound designer Yogev Freilichman comes along with Mexican video artist ERRANTH and Jerusalem artwork collective Extreme Productions to current Tectonic, a reside, improvisational AV efficiency captured at ZIRA, a multidisciplinary area in Jerusalem devoted to new and difficult artwork kinds.
“I needed to discover a number of intersections between noisy textures and club-focused beats and attempt to distill them down into one single-cell organism,” says Yogev Freilichman, the Useless Sea-based producer and sound designer who, following releases with Failed Items, Zabra Data, A Flooded Want and Everlasting Search, interprets his club-centric tackle experimental noise and improvisational synthesis in Tectonic, an prolonged actuality efficiency captured at ZIRA, a multidisciplinary area in Jerusalem. Offered in collaboration with Mexican video artist ERRANTH and Extreme Productions, the Jerusalem artwork collective who additionally make AV works as Wackelkontakt, Tectonic combines digital structure, IRL, DIY constructions, lighting design and digital results to attract Freilichman’s sound out by a number of media in a efficiency that takes place in a number of websites of actuality concurrently. As if in response to the fragmentation of the shape and medium of reside performances in the course of the Covid-19 pandemic, Tectonic skewers the modern lack of consensus surrounding the place actuality is occurring, through which worlds, on-line or natural, we actually exist and whether or not a efficiency in a digital surroundings is any extra actual, or true, than one occurring in bodily area.
“Skeletal types of sounds collide with one another all through the efficiency, feeding off each other, constructing a chaotic, glitchy soundscape,” continues Freilichman. “After the music was composed and the efficiency recorded reside, the video went by a heavy therapy course of that used the uncooked footage as materials, reworking it right into a grainy and dystopian visible hallucination.” U.I. options imposed on the body mirror visible motifs throughout the digital surroundings, purple scanner strains prolonged out throughout a gnarled, alien object, an ossified organic type suspended throughout an eternal seashore, throughout which Freilichman’s discordant sounds echo infinitely. “The music that Yogev builds, his damaged rhythms and disruptive breaks, sounds that hit with the dimorphous noise of post-technological landscapes, allowed us to modulate and emulate in picture the intraposition of granulates and clouds of factors that collude along with his atmospheres, to converge with the textures of his sound and the types of his rhythms,” explains ERRANTH. “The exploration of picture and 3D modelling additionally encompasses situations centered on the contemplation and meditation of the physique and area, taking into consideration not the human physique, however the amorphousness that offers the dissimilarity of the de-configuration of being.”
“The format of separating oneself into territories, into entities and in forming a conjunction of sensations, permits us to undergo private questionings in regards to the lethargy of the true, or in regards to the dosage of feelings and post-global businesses that should do with the fast sensations of the connection to the Web and its’ slackness of data, to the manipulation of need and to the recharging and copy of patterns. Subsequently these kinds are semi-deserted areas, which in the event that they had been actual could be simple to get misplaced inside. The efficiency allowed us to emulate these points by the use of null interpretation, or empty signifier. Taking this into consideration when observing the staging of the clip, throughout the illumination and the disposition of the seize we began to generate a refined accompaniment, however accentuated it to the disruptive.” As Freilichman’s efficiency glitches into silence, ERRANTH pulls concentrate on the now transfigured alien totem, illuminated with otherworldly mild, floating in a vacuum, as if all of a sudden transcendent of standard spectrums of sound, an empty signifier, surging with info indecipherable by human minds, a glowing icon to the dissolution of the true, each digital and precise.
A recording of Tectonic is out now on Kaer’Uiks, offered as a part of their SIM collection that includes ABADIR, ZULI and Grischa Lichtenberger. Tectonic shall be launched as a full reside AV album in 2023.
For extra details about Yogev Freilichman, you could find him on Instagram and SoundCloud. It’s also possible to discover ERRANTH and Extreme Productions on Instagram. For extra details about ZIRA, take a look at the area’s web site and observe them on Instagram.
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