For his long-overdue Truth combine Pariah chases a jaw-swinging, grin-inducing, eyelid-fluttering vibe that fluctuates between sparseness and depth, depth and launch.
Arthur Cayzer has been showing within the pages of Truth for over decade. We have been there manner again in 2010 when “promising UK producer Pariah” first started turning heads with ‘Detroit Falls’ and Safehouses, selecting the then 22-year-old producer’s brains about his love of Burial, following him as he and Blawan joined forces as Karenn a 12 months later and onwards to collaborations with The Analogue Cops and Midland. In more moderen historical past, following the 2018 launch of Cayzer’s stunning debut album, Right here From The place We Are, he co-founded the inimitable Voam, which went on to deal with Karenn’s debut album, Grapefruit Remorse, as nicely important information from a few of the finest and brightest, each established and rising, together with Peder Mannerfelt, Regina Leather-based, Piska Energy and SSTROM. Persistently working in sonic areas each visceral and experimental, all through his profession Pariah has served as a welcome bridge between the weirder and the extra fist-pump pleasant sides of the dancefloor, all of the whereas discovering time to make stranger excursions into extra reflective territory. It ought to subsequently make whole sense that Cayzer’s long-overdue Truth combine, which strikes via membership detonators previous and current, chases a jaw-swinging, grin-inducing, eyelid-fluttering vibe that fluctuates between sparseness and depth, depth and launch.
It picks up the place Caterpillar, his first solo EP in a decade, leaves off, a three-track barrage of throbbing techno, skittering electro and shuffling breaks with a title observe boasting essentially the most anthemic bass borborygmus of current reminiscence, or, within the phrases of fellow summer season anthem maker and up to date Truth mixer Gramrcy, “the observe that sounds how pingers really feel.” Leaping straight into the deep and lethal with heady twists and turns from Burnt Friedman, Barker and Ok Wata, Cayzer wastes no time locking in keeping with nervous skip from Cari Lekebusch, proggy squelch from Etienne and up to date warmth from Pangea, delving deeper nonetheless with a excessive strain drum journey from Sam Goku, Drexciyan mischief from Kanyon and iridescent burbles from Wata Igarashi. Skream lets one unfastened from the vaults, sending up the sign for a hell for leather-based cost via frazzled nuclear meltdown buzz from Enayet, a sneak peek at Rhyw’s new one for Voam, the wigged out braindance gymnastics of Lurka and Bruce’s inaugural transmission as XRA and the ambient spiral of Ko-Ta. It’s a combination for the heads within the thick of pageant season, serving as a well timed reminder of all the guarantees Pariah has saved.
Caterpillar is out now, on Voam. You’ll find Pariah on Instagram.
Tracklist:
Burnt Friedman – ‘Monsun’
Planetary Assault Techniques – ‘Eden Tide (Barker Remix)’
Ok Wata – ‘Bone Tags’
Cari Lekebusch – ‘Flip A Lid’
Etienne – ‘02042019’
Pangaea – ‘Fuzzy Logic’
Sam Goku – ‘Paradise Drum V2’
Lory D – ‘Acid Prastix’
Kanyon – ‘Quantity One’
Fixate – ‘Ruminate’
Wata Igarashi – ‘Warp’
Drexell – ‘PIK up Again up’
Skream – ‘Konga’
Enayet – ‘Chokkor’
Cari Lekebusch – ‘Minimalism 2’
Rhyw – ‘Honey Badger’
DJ GIRL – ‘And The Crowd Howls’
XRA – ‘Bee Observe’
Mr Ho – ‘Excellent Spherical’
Ko-Ta – ‘Shiza’
Bitstream – ‘Stream One’
Pay attention subsequent: Truth Combine 865 – séverine
