Drawing inspiration from late ’90s horror, administrators Karo Rutkowska and Ezekiel observe a younger man possessed by the spirit of a sinister rave.
‘I Want It’ is the spooky opening salvo from Blimey, ambient jungle iconoclast THUGWIDOW and horror present sound designer Bruised Skies‘ debut outing on Sherelle and Naina’s heavy hitting Hooversound Recordings. Constructing on the dread depths and darkish euphoria of their first collaborative venture, Requiem For A Sesh, on Blimey the 2 producers delve even deeper into essentially the most shadowy corners of early ’00s breakbeat, pc virus jungle, bolshy techno and devilish UKG. The result’s an immersive sound designed to envelop and overwhelm, a high quality administrators Karo Rutkowska and Ezekiel discover of their creeping visible for ‘I Want It’, the primary music video launched by Hooversound Recordings. In a non secular sequel to their visible for THUGWIDOW & Bruised Skies’ observe ‘Thrashing, Scared, Alone’, the administrators draw inspiration from iconic late ’90s horror cinema, following a younger man who turns into possessed by the spirit of a sinister, clandestine rave.
“From the very starting we knew we wished to create a storyline which adopted the journey of a male protagonist to a rave however with a slight twist,” clarify the administrators. “The horror style is immediately established within the opening sequence when the digicam pans across the run down, old school flat of the protagonist which you wouldn’t essentially affiliate with a younger man like him. Because the music progresses we see the protagonist making his means in to the membership and dancing alone. We determined to take the video additional down the abstract-horror route in the course of the second and remaining climax of the music.” Flickering between stroboscopic footage of our bodies writhing by way of thick smoke and a chilling imaginative and prescient of our protagonist dancing alone in a darkish room, the true nature of the gathering is named into query.
“This was purposefully finished to make the viewer query the truth of the protagonists perspective,” the administrators proceed. “It additionally alludes to the concept that this rave was a form of sacrificial ceremony main as much as the protagonist’s abduction. The kidnapping is additional hinted in the course of the closing scene after we see the protagonist again to the place it began, with none visuals on how he received dwelling. The music ends with the protagonist staring blankly on the digicam with a sinister smirk after which falls asleep in a peculiar place which references ‘The Creation of Adam’ by Michelangelo (1512), highlighting the thought of latest life or being a distinct particular person after his abduction.” Completely encapsulating the eerie dissociation of returning dwelling from a very unfastened session, THUGWIDOW, Bruised Skies, Karo Rutkowska and Ezekiel have developed an evocative audiovisual language for articulating each the hedonism and the grit of a number of the UK’s subterranean social gathering scenes, the place good and unhealthy vibes change into indistinguishable from each other.
‘I Want It’ is taken from Blimey, which is out now on Hooversound Recordings. For extra details about THUGWIDOW you possibly can take a look at their SoundCloud and observe them on Instagram. For extra details about Bruised Skies, you possibly can take a look at their SoundCloud and observe them on Instagram.
You’ll find Karo Rutkowska on Instagram and at their web site. You’ll find Ezekiel on Instagram and at their web site.
‘I Want It’ Credit:
Administrators – Karo Rutkowska & Ezekiel
DOP – Peter Butterworth
Expertise – Archie Henderson
Assistant – Maggie Lukasiak
Graphics – Taavi Kelle
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