Efficiency artist Wojciech Kosma descends into the Kletno Bear Cave to seize the erotically charged visible for ‘Rozkosz’, his newest monitor underneath his musical moniker, spalarnia.
As spalarnia, efficiency artist Wojciech Kosma makes experimental pop music with an explicitly queer, secular and anti-nationalist flavour. In search of to dismantle outdated notions of division between japanese and western Europe, Kosma interpolates Polish people music as the inspiration of his sound, utilizing entice percussion, drill bass, eurodance synthesis and an ear for irresistibly melancholy hooks to craft a singular tackle conventional musical varieties. On his second album, USTA, spalarnia addresses love in its varied refractions, exploring lust, want, sensuality and intimacy by means of evocative lyricism and exploratory sonics. “I wrote these songs pondering what would occur if I didn’t search for love, however sang as if it was already right here,” explains Kosma. “I felt that it’s not true that love is meant to be lacking, that it’s a must to look forward to it. It’s been at all times right here, it’s occurring, in insane quantities, and it makes the world, no less than my world.” On ‘Rozkosz,’ a gradual and sensual spotlight from the album, Kosma groans by means of an digital dirge charged with longing, a quivering homage to overwhelming and all-consuming moments of enjoyment and delight. Blended by James Whipple, higher referred to as M.E.S.H, Hesaitix and now EEA, ‘Rozkosz’ finds erotic rigidity within the interaction between throbbing low-end, sparse percussion, artificial strings and primal flutes, coaxing lip-biting melodies out of damaging house whereas Kosma’s basis shaking baritone pins the monitor again right down to earth with visceral heft.
For the ethereal visible artist Ewelina Węgiel labored alongside motion artists Luisa Mateo Dupleich Rozo and Monika Błaszczak to collaborate with Kosma, illuminated in opposition to the dramatic backdrop of Kletno Bear Cave, the longest cave formation within the Śnieżnik Mountains. Filmed utilizing each digital and 16mm movie, the movie makes use of pale gentle and expressive motion to break down the moist partitions of the cave into the identical texture as glistening pores and skin and soaking material, a portrait of lovers slick with sweat and rock worn easy by condensation. Perspiring stone protrusions are seen with the identical amorous gaze as necks upturned in ecstasy and fingers grazing outstretched arms. Milky stalactites drip onto expectant faces, calcium deposits shaped over a whole bunch of years tackle the sensual type of easy our bodies, whereas craggy rock faces layered in opposition to one another in photographic assemblage recommend organic mutations, natural matter bursting on the seams, determined to spill over into new, extra expansive, varieties. This desirous overflow displays the craving of Kosma’s lyrics, who follows a churning repeated chorus of “an excessive amount of” with the assertion, “there’s by no means an excessive amount of,” begging the query, “why see with eyes should you can see with delight?” Simply as centuries remodel cave formations, hewn by means of mountain ranges with crushing endurance, so too does the strain of spalarnia’s want have radically transformative potential, as he sings: “underneath the quilt of pleasure, delight / I wish to be your husband and spouse.”
‘Rozkosz’ is taken from USTA, which is out now. For extra details about Wojciech Kosma and his work as spalarnia, you possibly can observe him on Instagram.
‘Rozkosz’ Credit:
Administrators – Ewelina Węgiel, Luisa Mateo Dupleich Rozo, Monika Błaszczak & Wojciech Kosma
Efficiency – Luisa Mateo Dupleich Rozo, Monika Błaszczak and Wojciech Kosma
Digital camera – Ewelina Węgiel
Modifying – Ewelina Węgiel and Wojciech Kosma
Coloration Grading – Igor Kawecki
‘Rozkosz’ Lyrics:
an excessive amount of an excessive amount of an excessive amount of an excessive amount of
of you there’s by no means an excessive amount of
an excessive amount of an excessive amount of an excessive amount of an excessive amount of
by no means an excessive amount of of our delight
delight delight covers me proper
positive positive i can see positive
sky sky sky sky sky
by means of the skinny veil of pleasure
why see with eyes should you can see with delight
underneath the quilt of pleasure delight
i wish to be your husband and spouse
please please take my hand
our magnificence would possibly make me break
take me take me as husband as spouse
for you i’m alight but i’m in no way alight
i’m a contented oasis of inexperienced
no different place such as you and me
why see with eyes should you can see with delight
–
dosyć dosyć dosyć dosyć
nigdy nie mam ciebie ciebie dosyć
dosyć dosyć dosyć dosyć
nigdy nie mam dosyć naszej rozkoszy
rozkosz rozkosz całkiem mnie przykrywa
dobrze dobrze dobrze dobrze widać
niebo niebo niebo niebo niebo
przez rozkoszy cienki welon
po co patrzeć przez oczy jak można patrzeć z rozkoszy
pod rozkoszy rozkoszy zasłoną
chcę zostać twoim mężem i żoną
weź proszę moją moją rękę
z naszego piękna piękna zaraz pęknę
weź mnie weź mnie za męża za żonę
dla ciebie płonę chociaż wcale nie płonę
jestem zieloną zieloną oazą szczęścia
oprócz nas nie ma takiego miejsca
po co patrzeć przez oczy jak można patrzeć z rozkoszy
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