Gill Moon
Gill Moon is an expert photographer based mostly on the Suffolk Coast. She specialises in landscapes, waterscapes and marine pictures and is enthusiastic about selling a reference to the atmosphere by way of her work.
Gill has been taking images for many of her life however determined to show her pastime right into a occupation in 2010 when she moved to the Suffolk Coast. Her ardour for the outside additionally extends to the ocean and Gill is an skilled crusing photographer working with the nationwide yachting press and crusing organisations alongside the East Coast.
Gill’s actual ardour is the panorama and the pure world and he or she is more and more eager to assist others foster a reference to each. “For me pictures is not only concerning the technical aspect of taking {a photograph}, it’s about remark, emotion and portraying a reference to the world round you. These are the issues that I consider contribute essentially the most in direction of making a compelling picture.”
After I was requested to put in writing an Finish Body article, I knew instantly which photographer I needed to put in writing about, however selecting one among her pictures was a lot more durable. Choosing my favorite from so many excellent compositions was actually troublesome as a result of so lots of them resonate with me in many alternative methods. In the long run, I selected Gneiss Boulders from the Isle of Harris (by Lizzie Shepherd) as a result of there may be a lot on this picture that matches with my very own work, the issues that I like and the best way I see the world.
I used to be introduced up within the countryside, surrounded by nature, with dad and mom who inspired and facilitated a connection to the wild. I discovered to establish the native wildlife, went birdwatching, drew crops and butterflies and picked up rocks and fossils. I used to be nature linked from a younger age, and it’s one thing I really feel has actually helped with my pictures. I feel that is a part of the explanation Lizzie’s work, and particularly, this picture actually appeals to me.
I had the pleasure of assembly Lizzie for a 1-2-1 workshop within the Yorkshire Dales again in 2018, just a few months after my Dad had died all of a sudden and at a time once I was fighting my very own pictures.
I used to be actually impressed by Lizzie’s work and admired the quiet magnificence that she was in a position to obtain in her pictures together with her use of sunshine and tone. Her work intrigued me, and I used to be to spend a while within the panorama together with her. Regardless of having the worst climate possible (flat, gray and drizzly), I got here away from the workshop with a renewed sense of connection facilitated by Lizzie’s consideration to element, significantly round composition, which is unquestionably one thing that has stayed with me and influenced my work going ahead.
The very first thing that attracted me to this picture was the geology. It takes me again to my childhood, and I’m instantly transported to the seaside, standing amongst the boulders listening to the ocean. Regardless of the complexity of the scene and the haphazard nature of the foreground components, the picture has an total simplicity to it, which I feel helps the viewer recognize all of the completely different components that make up this panorama.
