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Brooching questions: conserving a silver brooch from the Galloway Hoard


After spending over 1,000 years within the soils of Galloway, it’s no marvel objects from the Galloway Hoard wanted some critical work earlier than happening show. Bethan Bryan talks by the complicated strategy of conserving a silver brooch, from mending “mini-volcanoes” of copper erosion to utilizing porcupine quills and algae-derived gels.

It has been a delight and privilege to preserve one of many brooches from the Galloway Hoard. My background is in early medieval archaeology, and so it was a dream come true to be provided the prospect to work on such a stupendous and traditionally necessary object. The work concerned detailed scientific examination and evaluation of the corrosion and supplies of the brooch, after which conservation of the brooch itself.

A circular brooch densely decorated with interlaced vines and four enigmatic beasts, one in each of the brooch's four quadrants. The brooch is tinted green with age.
The brooch earlier than conservation work started.

The Galloway Hoard, found in September 2014 by a steel detectorist, accommodates over 100 objects together with silver jewelry and huge portions of silver ingots. Lots of the hoard’s objects, together with a number of silver brooches, have been contained inside a silver gilt vessel buried originally of the tenth century. Clearly, silver makes up a substantial a part of the Galloway Hoard’s story.

Top-down view into a barrel-shaped vessel. Inside the vessel are a tangle of objects including a heavily oxidised circular brooch, clumps of textile, and other metallic objects.
The brooches throughout the copper vessel wherein they have been found. Picture by way of AOC Archaeology.

The thing I labored on was a silver and copper-alloy composite disc brooch. It’s the smaller of a pair of very related brooches throughout the hoard, which general contained 5 Anglo-Saxon disc brooches of a form not discovered earlier than in Scotland. An identical brooch was discovered within the Pentney Hoard from Norfolk, England.

Side-by-side look at the front of the circular brooch before conservation laid on a white surface next to a ruler, and a closeup of two of the beasts on the brooch facing each other. They resemble dogs or wolves.
The bigger brooch of the pair from the Galloway Hoard and a close-up of two of its beast-heads.
Two images side-by-side showing the front (left) and back (right) of a different circular brooch. This one has a flowing interlace design with gold colouring, and its back is rusted and flat with a simple, broad pin.
Back and front of an identical Anglo-Saxon brooch from the Pentney Hoard. Picture by way of the British Museum.

The entrance of the brooch is a disc of silver with pierced or/lower open-work vine ornament and a central, equal-armed cross. The gilded entrance floor of the copper-alloy again of the disc may be seen by the lower. The entrance of the brooch is adorned with 4 open-mouthed beasts’ heads, every adorned with niello inserts. Niello is a black metallic alloy of sulphur, often alloyed with silver or copper. It’s used to fill designs which were lower into the silver floor. There are additionally 5 silver, spherical bosses. The silver and copper-alloy discs are riveted along with silver pins. On the again of the brooch is a spring-hinged pin and catch plate additionally riveted on to the copper-alloy disc.

Side-by-side images of a closeup of a beast head and metal studs on the main circular brooch, and the back of the brooch showing the pin with a thick layer of green oxidised material on it.
Left: One of many beast-heads of the entrance of the brooch with the spherical silver bosses and two arms of the central cross (earlier than conservation). Proper: The again of the brooch displaying the clasp for the pin and the rivets holding the again plate to the silver entrance disc (earlier than conservation).

The adorned entrance has been lower by hand. Imperfections can enable us to really feel a human reference to the maker; software lower marks are seen in locations on the silver, and the vines are irregular in form and dimension. The 4 beasts’ heads have additionally been adorned individually, every bearing its personal distinctive sample of niello-inlay.

A very wide view in microscopic detail of the interlace design on the brooch. Four red circles highlight areas where there are maker's marks or small imperfections in the metalwork.
On these photomicrographs we are able to see the lower marks left by the sharp steel instruments used to chop out the vine-scroll ornament (earlier than conservation).

Earlier than any conservation work may start, the brooch was absolutely assessed, recorded and photographed. This included taking X-rays and photomicrographs to report the floor intimately, small samples of the corrosion merchandise, and evaluation underneath the Scanning Electron Microscope.

First-person view of a desk in a busy lab environment. A computer monitor shows an extreme closeup of one of the beast heads on the brooch. Objects on the desk include a microscope, notebook, and various brushes.
The recording of the brooch earlier than conservation included taking photomicrographs of the floor with a digital microscope. The software program used enabled us to stack the photographs, permitting us to acquire photographs with a a lot bigger depth of area than can be doable in a single photograph.

As soon as the brooch was absolutely recorded, it was time to preserve it. The again of the brooch was closely corroded across the edges. Cleansing exams have been carried out on samples of copper alloys and silver by Dr Mary Davis, the lead conservator for the Galloway Hoard mission, to evaluate their potential impact on the brooch.

It was determined from these exams that the easiest way to take away the corrosion from the copper-alloy back-plate of the brooch was to take action manually with a scalpel, underneath a microscope. This fashion the corrosion elimination may very well be fastidiously managed, and no chemical compounds would probably change the underlying floor situation and color of the copper-alloy.

A woman with blonde hair, wearing a dark green plaid shirt and purple gloves, sits upright at a desk while examining the brooch through a large microscope. She holds a metal utensil and is cleaning the brooch very carefully.
Bethan Bryan eradicating the copper corrosion from the back-plate underneath a microscope.

The copper-alloy back-plate was very skinny and delicate in lots of locations, particularly across the edges. Some areas needed to be consolidated with Paraloid B72 to present them sufficient power to forestall lack of materials in the course of the conservation course of. Paraloid B72 is an acrylic polymer and is used quite a bit in conservation as each an adhesive and a consolidant. In some locations it was found that the back-plate had corroded by fully, and so elimination of the corrosion revealed small holes. The sides of those holes have been additionally consolidated with Paraloid B72.

Collage of four images, each showing the circular brooch with beasts heads partway through conservation. It is now much shinier than before, with the gold-coloured metal shining through.
The gold floor of the copper-alloy again plate was revealed slowly by eradicating the corrosion spots with a porcupine quill.

There was a lot much less corrosion on the entrance of the brooch, and the silver was in a greater and extra steady situation than the copper-alloy of the again plate. The corrosion on the gilt floor of the entrance of the back-plate was eliminated with a porcupine quill tip, underneath a microscope. The porcupine quill was robust sufficient to manually take away the copper corrosion spots, however tender sufficient to not scratch the tender and skinny layer of gold.

Closeup of the bottom half of the circular brooch, highlighting corrosion along the edges of the metal interlace decoration.
A lot of the friable corrosion may very well be faraway from the floor of the silver disc with a scalpel, leaving the more durable corrosion to be softened with a gel earlier than elimination.

The softer areas of inexperienced copper corrosion on the entrance silver disc of the brooch have been additionally eliminated manually with a scalpel, underneath a microscope. The more durable corrosion spots on the silver have been first softened with an agarose gel, after which eliminated with the scalpel.

Agarose gel is constituted of agar and is non-toxic and eco-friendly. Agar is derived from sure sorts of algae and is a kind of carbohydrate (for instance, starch or cellulose) known as a polysaccharide. It’s soluble in scorching water, can be utilized to type a gel and is steady in each alkaline and acidic situations. The gel acts as a molecular sponge and solubilises impurities, drawing them away from the floor, after which holds the impurities throughout the gel matrix. The gel I used included within the combine alkaline Rochelle answer (a mixture of sodium hydroxide, potassium sodium tartrate and water). This answer has been used on the British Museum for the previous 50 years for cleansing debased silver cash (silver which has a big copper content material).

Side-by-side views through a microscope of the brooch. On the left you see it in full with a translucent gel applied to it. On the right is an extreme closeup of one of the metal studs partly covered in the gel.
Making use of the agarose gel to one of many silver bosses to melt the copper corrosion spots. The agarose gel was utilized to melt copper corrosion spots on the silver disc.

In some elements, you’ll be able to see the place the copper-alloy back-plate has utterly corroded, even creating small holes by the gold layer on the entrance the place the corrosion merchandise have pressured their manner by. Many copper corrosion merchandise take up extra room than simply pure copper steel or the copper-alloys utilized in metalwork; they’re extra voluminous. The results of that is what I wish to name ‘mini-volcanoes’ of copper corrosion bursting by the gold layer.

Extreme microscopic closeup of a triangular section of copper framed by silver lines. Tiny green dots of corrosion break through the copper in several places.
An space on the entrance gilded copper-alloy plate the place the copper has accomplished corroded away and corrosion merchandise have pressured their manner by the floor of the gold.

As soon as the corrosion merchandise have been faraway from each the silver disc and the gilt surfaces, I consolidated the gold entrance of the copper-alloy back-plate this time with Paraloid B48N. That is stronger than Paraloid B72. I used this to supply further power to the gold on the corroded copper-alloy disc and the entrance of the disc itself. Doing this, would hopefully enable for additional elimination of corrosion from the again of the brooch.

The circular brooch rests atop four rectangular pads under a bright light. A metal tool is being used to delicately remove corrosion from its copper and green surface.
Consolidating the again of the brooch.

As soon as the gilt entrance of the copper-alloy disc had been consolidated, extra of the voluminous copper corrosion may very well be eliminated safely from the again to disclose the unique surfaces. This was a time-consuming and delicate job with a scalpel and dental instruments, because the copper-alloy disc was nonetheless very fragile.

The almost fully conserved circular brooch viewed head-on against a white surface. All traces of green corrosion are gone, emphasising the silver interlace pattern and gold-coloured base.
The silver entrance of the brooch with the conservation course of nearly full.

As soon as the corrosion had been eliminated to an appropriate stage and the conservation course of was full on the brooch, I consolidated the entire of the brooch with a protecting layer of B48N. This acts as a consolidant, lacquer and moisture barrier to guard the brooch. The brooch was now prepared for show.

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