Nosebleed: Dance With The Satan
(TNS Data)
LP | CD | DL
Out eleventh November
Leeds storage rockers Nosebleed return with uneven tunes and a few radio-friendly polished songs alongside the grime.
Probably the greatest storage punk bands to be spewed out by the UK DIY punk scene in recent times, Nosebleed provide up a wonderful rockin’ and rollin’ racket. They have an inclination in the direction of the jerky, uneven guitar flavour of storage and, while mid-paced for probably the most half, they will construct up a frantic head of steam. Guitar solos are saved quick sufficient so as to add a lift with out disrupting the move and seamlessly match with the storage and punk custom. Assume James Williamson meets Johnny Thunders with added reverb.
Some good heavy flooring toms present the drive when the drummer isn’t knocking out a slappy beat along with his excessive hats and snares. They’re paired with a bass performed with the thundering depth of Dee Dee Ramone and the odd snatch of gloriously soiled overdrive. Consistent with the storage vibe, the vocals are gravelly however they’re loud moderately than shouty, with the odd rock’n’roll flourish.
It’s tempting to say that Nosebleed’s DNA attracts largely on the very uncooked British storage sound of Armitage Shanks, Thee Headcoats and Wild Billy Infantile’s normal output however, regardless of similarities in music constructions, they don’t seem to be so lo-fi. Given their upbeat tackle storage they bear extra resemblance to New Bomb Turks.
The polished manufacturing on this album by Andy Hawkins at Nave Studio in Leeds nudges them in the direction of high-rolling storage rock revivalists like The Hives at factors. And absolutely each storage band has a contact of the Sonics lurking within the background.
The amusing video for title monitor Dance With The Satan is an effective showcase for Nosebleed at their greatest. Excessive octane rock’n’roll meets storage with a refrain that might have been borrowed from The Ramones.
That is all excellent however we have to speak concerning the keyboards. They’ve grown on me however on first hear they only didn’t fairly lower it for me. I may see what they have been going for and it created a New York Dolls vibe however worryingly had a contact of Chas’n’Dave. A couple of listens on and I’ll concede it’s much less Chas and Dave and extra Jerry (Lee Lewis) and Jim (Jones Revue).
This album has actually received the usual storage punk vibe like earlier Nosebleed releases. Nevertheless, in locations, they’ve damaged out of what could be a pretty restricted style. There are a few tracks channelling psychobilly sonics: Let It Go, with its twangy guitar, and Spherical and Spherical, which has a catchy refrain.
Below The Knife may be very a lot Rawk with a capital R and reveals Eliot Verity can really sing in addition to rage. He additional shows his vocal capability on All I Know, which actually goes off-piste. There’s extra psychobilly twang, a contact of spaghetti western and the mix of the singing and guitar has me pondering of The Damned once they discover their psychedelic roots. With its poppy refrain, it sits other than the remainder of the album and might be a radio hit from the 80s. There’s no purpose why it couldn’t be now.
Equally, album nearer Make Up Your Thoughts is a sluggish quantity however one thing within the supply has me minded of thirteenth Flooring Elevators.
Total, Dance With The Satan is an gratifying half-hour of stripped-back rock and roll about love and relationship breakdowns with just a few melodic interludes. Sure, it offers in clichés however that’s rock’n’roll.
Out there from TNS Data and streaming providers.
Nosebleed are on Fb and Instagram.
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Phrases by Nathan Brown. Try his Louder Than Struggle Writer Archive.
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